In this ambitious work, popular actress Hayashi Yumika plays a fictional version of herself, transformed into the queen of an image club. Under the direction of Fukamachi Akira, who knows the pink film world inside and out, Sese Takahisa has written an elaborate script, and this masterpiece disguises itself as a fake documentary but turns into a story of pure love. Taro (Araki Taro) goes undercover to an image club in Kabukicho to film a new documentary about the sex industry. As Taro (Araki Taro) and his former colleague, Yumika (Hayashi Yumika), who is now a popular image club owner, engage in some intense play in front of the camera, the flames of love begin to flare up.

Bruce Baillie's Mr. Hayashi might be thought of as a putative East Coast story transformed by a West Coast sensibility. The narrative, slight as it is, mounts a social critique of sorts, involving the difficulty the title character, a Japanese gardener, has finding work that pays adequately. But the beauty of Baillie's black-and-white photography, the misty lusciousness of the landscapes he chooses to photograph, and the powerful silence of Mr. Hayashi's figure within them make the viewer forget all about economics and ethnicity. The shots remind us of Sung scrolls of fields and mountain peaks, where the human figure is dwarfed in the middle distance. Rather than a study of unemployment, the film becomes a study of nested layers of stillness and serenity.

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In the 1970s, 80% of mahjong parlours in Kabukichō were "Buu Mahjong" establishments, where cash flowed freely in high stakes games. In this city that never sleeps, Shoichi Sakurai—known as the “Legendary Mahjong Demon”—enjoyed high stakes matchups with men who shared his love for the game. Shoichi Sakurai, who carried his winnings about without a care; a pickpocket who set his sights on that money; a self-proclaimed disciple of the “Mahjong Demon” begging for money; a man who only aimed for a “National Treasure” hand; a legendary hitman; a hitman for a rival yakuza gang, and more—the lives of gamblers living in Kabukichō intertwine.

Through painstaking research, the torrid saga of the dearly beloved attraction is now revealed. Witness rare unearthed footage, superlative imagery and vicious interrogation of the guilty parties.

National Press Club hears a speech from Alfred Hitchcock.

Spitting Image is an award winning British satirical puppet show, created by Peter Fluck, Roger Law and Martin Lambie-Nairn. The series was produced by Spitting Image Productions for Central Independent Television over 18 series which aired on the ITV from 1984 to 1996. The series was nominated and won numerous awards during its run including 10 BAFTA Awards, including one for editing in 1989, and even won two Emmy Awards in 1985 and 1986 in the Popular Arts Category.The series featured puppet caricatures of celebrities famous during the 1980s and 1990s, including British Prime Minister Margaret Thatcher and fellow Tory politicians, American president Ronald Reagan, and the British Royal Family. The Series was the first to caricature the Queen mother.

An FBI agent investigating the kidnap then apparent murder of a wealthy businessman, has his suspicions. The authorities believe Ben to be dead, but the body could not be identified. Ben's wife is the prime suspect with her accomplice, the victim's brother. Brian has to go undercover(s) to get to the truth.

A twin falls off a wagon and meets a mountain man who teaches her to spit tobacco for a living.

In the late 1980s, a politically neutral photographer in Pinochet's Chile is still struggling to come to terms with the "disappearance" of his activist brother in the Villa Grimaldi torture centre back in 1975.